Ubi Franklin Warns That Promiscuity Is the Biggest Obstacle for Artists After Success, Says Success Often Sparks Artists' Downfall

 

Ubi Franklin, a well-known Nigerian talent manager and media entrepreneur, has offered a candid perspective on the hidden challenges faced by artists in the entertainment industry. During a recent appearance on the Culture Sonic Podcast, Franklin shared strong opinions about the destructive patterns that often follow fame, spotlighting one recurring issue: promiscuity.

Without holding back, Franklin stated that the real test for most artists, both male and female, begins after they achieve success. Before the hits and headlines, he explained, artists are generally easier to guide and work with. However, once fame takes hold and the spotlight begins to burn bright, many entertainers start drifting into habits that distract from their craft. Promiscuity, according to him, tops the list.

During the podcast episode, Franklin reflected on his experiences managing multiple artists over the years. He drew a direct connection between newfound fame and declining discipline, noting that many artists lose their sense of direction as soon as their music gains traction. “The only artist that can be controlled is the one that has not had a hit,” Franklin asserted, emphasizing how success often marks the turning point in an artist’s behavior.

His comments sparked reactions across social media, with fans and industry observers weighing in on the complexities of fame. Franklin, who has managed some of Nigeria’s top talents, including Iyanya and Tekno, has long been known for his blunt assessments of the entertainment world. His latest remarks, however, take a more personal and psychological turn, suggesting that fame doesn't only change public perception but often rewires personal values.

He pointed out that the allure of constant attention and romantic interest can be difficult to resist. For many artists, Franklin claimed, this distraction becomes a dominant part of their lifestyle. While the general public may celebrate the glamorous lives of their favorite stars, behind the scenes, these same individuals may be fighting private battles with temptation and instability.

It wasn’t just male artists he called out. Franklin was quick to clarify that female artists are just as vulnerable to the pitfalls of fame. According to him, the term 'womanising' may be typically used for men, but the behavior is not gender-exclusive. “For female singers, it’s promiscuity as well,” he added, explaining that the pressures and temptations of the industry affect everyone, regardless of gender.

These insights serve as a cautionary message not only to current and aspiring artists but also to managers, producers, and industry stakeholders. Franklin's comments suggest that success should not only be measured by chart-topping songs or social media followers but also by how grounded an artist remains in the face of overwhelming attention.

The entertainment industry, particularly in regions like Nigeria where fame can be rapid and intense, often lacks structured support systems for artists dealing with sudden popularity. Franklin’s remarks hint at a deeper need for mentorship, discipline, and emotional guidance for young stars. With wealth and fame comes visibility, and with visibility often comes increased temptation, making it crucial for artists to stay rooted in their values and focused on their careers.

Fans may idolize their favorite musicians for their style, confidence, and talent, but Franklin’s warning is a reminder that behind the glamour lies a vulnerable human being. Maintaining integrity and discipline, according to him, is what separates lasting careers from fleeting moments of fame.

Franklin's stance has reopened conversations about the entertainment industry's responsibility in shaping not only successful but stable artists. As more figures within the industry begin to open up about the realities of fame, discussions like these might help build more resilient support networks for talent navigating the highs and lows of stardom.

Ultimately, Franklin's reflections underscore a simple but powerful truth: staying focused after fame is often harder than getting famous in the first place.